SOUTH OF TOULOUSE: SNOW — KEITH TAYLOR

The inn was next to the stables where I lived above the clubhouse. They paid me four francs an hour, plus meals, to wash dishes and sweep the floors. In January there was one cold day that actually felt like winter, and I watched a feeble snowfall through the window above the sink. I jumped over the gate after work and snow fluffed away like dust when I landed on the horse path. I left clear footprints surrounded by thin snow that melted in just a few minutes.


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Keith Taylor has published fourteen books of poetry, short stories, translations or co-edited volumes. He works as the A.L.Becker Collegiate Lecturer in English at the University of Michigan, the Director of the Bear River Writers' Conference, and the Associate Editor at Michigan Quarterly Review. 

THINKING OF FRANCIS PONGE AND YOU ON A SATURDAY AFTERNOON — GERRY LaFEMINA

A man creates giant soap bubbles in the park.  He has a sudsy bucket, a wand of butcher string and bamboo rods, a way of waving his arms like a conjurer.  His bubbles are larger than basketballs, than some of the dogs that bark and pull at their leashes like my heart.  The bubbles float, sunlight shimmering in the spectrum along their flanks.

Soon he invites children to join him.  Smaller bubbles appear.  Some blow up in soft explosions of suds.  Others, little dirigibles, ascend nearer the tree branches and shimmy in the slight breeze. Delicate and short lived, they wobble, uncertain in their beauty.  I want to reach out and touch one the way I wish to trace a finger along your cheek.

I’d tell you right now how I love you but fear the moment bursting, fear getting my mouth washed out with soap.


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Gerry LaFemina is the author of a bunch of books, including 2013's Notes for the Novice Ventriloquist (prose poems, Mayapple Press) and Clamor (novel, Codorus Press).  In 2014 his new book of poems, Little Heretic, and a book of essays on poetry and prosody, Palpable Magic, will be released by Stephen F. Austin University Press.  He directs the Center for Creative Writing at Frostburg State University where he's an Associate Professor of English. 

FICTIONS — ROB KENAGY

My grandma calls to talk about Notre Dame football, and I ask if the story of the man who disappeared on Birch Lake is true. “It has to be,” she says. “How can any story be untrue?” A cabin at the top of the hill, on the east side of the lake surrounded by a few dead Fords, pieces of tractorjunk. Late night, the man kisses his wife before leaving to mouse for bass. By sun break, his boat washes up in the reeds near Camp Tannadoonah. Only his clothesneatly foldedand wallet are found. The sheriff and a few deputies drag the lake all summer, but never pull up his body. On the anniversary of his father’s disappearance, the man’s son pours a pint of Canadian Club into the lake. Grandpa thinks he ran off to Vegas with a showgirl, Mr. Templeton suspects the Upper Peninsula to skip debt. Sometimes when I dream, I’m staring up at the water’s surface, tangled in weeds, the sun breaking in murky beams. Other times I’m standing on the porch of a desert motel room, smoking the butts of last night’s cigarettes. “Where ever he went,” Grandma says, “he needed his fishing gear.”


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Rob Kenagy lives, teaches, and fishes in Michigan.  He writes and plays music as Ganges, and records with They Were Thieves.  His poems have appeared in Vinyl, Forklift Ohio, Hobart (online), and Gargoyle.  

ALL THAT SMOKE HOWLING BLUE — LEESA CROSS-SMITH

The first thing Bo ever said to me was that I had a face like an alarm clock—resplendent enough to wake him up. He and his younger brother, Cash, ran a garage on the shitty side of town. My car was always busted. That's how we met.
            Since then I'd been living with both of them—driving Bo's old truck whenever I wanted and kissing Cash when Bo was at work. Bo knew about the kissing, I just didn't do it in front of him. I slept in Bo's bed most nights unless he really pissed me off. I loved them both equally. I used to make a peanut butter and jelly joke about it but no one understood what I meant. Bo kept his shoulder-length hair slicked back and Cash kept his short. See? They were different.
            Bo had been teaching the blue-eyed shepherd puppy to howl and that's what they were both doing—sitting on the floor, howling at the ceiling. Bo was picking leftover bits of tobacco from his tongue and I reminded him again that he shouldn't smoke in the house. My hair was still scented with woodsmoke from the fire we made out back the night before. Bo stood and stuck his nose against my neck and sniffed me real good. I was at the stove stirring the baked beans.
            “Mercy,” he said. Soft. It was the name my mama had given me and he always said it a lot. It made me feel special how it got both meanings coming from his mouth. My name, a begging blue prayer. We kissed. Bo's kisses were feathery, Christmas-sweet. Cash hungry-kissed like a soldier on leave.
            Bo stuck the puppy underneath his arm and stepped outside. I watched him through the screen, howling up at the sky. The puppy was licking his face.
            Cash came through the front door and gently kicked my boots aside to make a path.
            “I thought it was my night to make dinner,” he said, clinking a six-pack on the kitchen counter.
            “You can tomorrow. I made fried chicken, potatoes and baked beans. Biscuits are in the oven. I got Bo to open the can since it scares me so bad when it pops,” I said.
            “Well at least he's good for something, right?” Cash said, barely laughing.
            “He's out back teaching the puppy to be an asshole,” I said, pointing with the wooden spoon, careful not to drip.
            “Will you cut my hair tonight?” Cash asked, taking off his ball cap and opening a beer.
            “Why? You got a crush on some girl you wanna look cute for?” I asked.
            “Yep. Some girl named Mercy,” he said, smiling. I twinkled.
            The sunset light ached at the windows. The puppy let out a brushy itty-bitty howl that went on forever. It just kept right on crackling. I'm telling you, I thought it'd never stop.


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Leesa Cross-Smith's debut short story collection Every Kiss a War will be published early 2014 by Mojave River Press. Her work has appeared or is forthcoming in places like Midwestern GothicCarve Magazine, Word RiotSmokeLong QuarterlyLittle Fiction and Monkeybicycle. She and her husband run a literary magazine called WhiskeyPaper. Find more @ LeesaCrossSmith.com.

NOT FOR WOMEN — JOE SACKSTEDER

I guess my first hint was back in seventh grade when the hottest girl in school, Mary Bloom, got in trouble for wearing a dress to a mixer that was cut too low. Part of me wanted Mary to accidentally push me through a window and visit me in the ICU where her anger would turn into repentance, would turn into letting me rub on her. And another part of me wanted to get in trouble like she had. To be revealing. I’d show off my cleavage, I grinned. That was my first hint.

My family is conservative, but they acted like it was no big deal after I spent two decades getting up the nerve to tell them I wanted a sex change. “Will you still be Paul?” my dad asked. He even accompanied me to my first appointment, where the doctor would perform a routine physical and would outline exactly the changes my body would go through once the treatment began. There were papers to sign. During the physical, I was alarmed by the doctor’s look of satisfaction as he canvassed my body. No one had ever looked from my genitals to my face with any measure of alacrity. “This is going to be a cinch,” he smiled. “You’re basically on the team already. Cheers!” He cracked us open some cans of Dr Pepper Ten. I shook my head sadly at his mistake. He looked at my chart. “Oh,” he blushed. “Cheers anyway. Ten bold calories, one last chance.”


Joe Sacksteder teaches at Eastern Michigan University and the Women's Huron Valley Correctional Facility. He begs you to check out his Werner Herzog sound poems on Sleeping FishThe Collagist, and textsound. "Not for Women" comes from an ongoing set of flash fiction / prose poems called Various Boners, all of which are based on corporate slogans.  (Photo credit - BJ Enright)

SUBMISSIONS ARE CLOSED UNTIL EARLY 2014

Wowzers! We can't believe how great the support has been for our little online journal here since we opened up submissions a few short weeks ago... But, we're not complaining. It's great to read all this fantastic work—thanks to everyone that sent something our way!

That being said, only publishing stories two days a week...well, the calendar fills up quickly. So we're closing submissions until early 2014 as we prepare all the wonderful stories we've selected to go up—we're so excited to share with you all these unbelievably good pieces. 

So stay tuned for our first story, slated to go up Tuesday, January 7. And if you didn't get to submit your piece this time around, fear not: Submissions will be back open before you know it.

Pop on.

SUBMISSIONS ARE NOW OPEN

CHEAP POP is a new online literary journal focused on mirco-fictionor prose poems, we like those too—500 words or less. There are no other restrictions than that. Our goal is to publish bite-size nuggets of quality writing—stories that pop and stick with you for days.

New stories will go up every Tuesday and Thursday starting early January—so stay tuned.

Check out our Submissions page for more information.

Check out our About page to see who we are.

Still interested? Send us your best work. We can't wait to read it.

CHEAP POP is open for business. Welcome.